湘西花瑶挑花艺术基因谱系构建及设计应用

Construction and Design Application of Gene Pedigree of Huayao Picking Flower Art in Xiangxi

湘西地处武陵山片区,跨省交界面大、少数民族聚集多,600余年来,花瑶人在这层峦叠嶂、与世隔绝的雪峰山麓瑶寨,创造了质朴奇异的原生态民族文化,形成了富有特色、独具一格的花瑶挑花艺术。花瑶挑花艺术被列为非物质文化遗产后,引发了社会各界的广泛关注,现有挑花艺术的研究大多集中在挑花艺术的作品鉴赏、服饰制作、产业发展。通过对现有湘西挑花艺术的调查发现,挑花艺术在得到一定的发展成果之外,也存在着保护与创新的失衡、现代和传统技艺发展的冲突、挑花艺术传导方式单一的问题。本文将通过对花瑶挑花的基因识别,建立视觉识别基因谱系和文化识别基因谱系,试图使用几何法、抽象法、解构法提取基因重构,提高创新设计应用的原生态和可持续发展的路径。

XiangXi,which located in the WuLing mountain area,has a large interprovincial border and a large number of ethnic minorities.For more than 600 years,HuaYao People,who lived at the foot of this isolated XueFeng mountain,have created a plain and strange original ecological national culture and formed the unique embroidery art of HuaYao.The HuaYao Embroidery Art was listed as an intangible cultural heritage,which has aroused wide concern of all circles of society.Most of the existing studies on the design of the embroidery art focus on the appreciation of the works,the design of costumes and the development of the industry.Through investigation,we have found that the HuaYao Embroidery Art has achieved success to some degree,but there also exists problems such as the imbalance between protection and innovation,the conflict between the development of modern and traditional skills,and the single transmission mode of flower selection art.Through the genetic identification of HuaYao embroidery art,this paper will not only establish the genetic pedigree of visual identification and cultural identification,but also attempt to use geometric,abstract and deconstructive methods to extract genetic reconstruction,so as to improve the original ecology and sustainable development path of innovative design application.