论新时期小说中的视觉书写

The Study on Visual Writing of the New Period Novels

该文基于新时期开拓性作家刘心武小说中的视觉书写,进一步考察这一时期男性话语中的女性镜像,认为中国传统小说中的女性镜像并没有大的改变,即女性是促发男性成长的阶段性工具,女性被想象为男性心灵复原的慰藉者。而新时期的女性写作在与男性话语"合谋又冲突"的镜像突围中,则表现出更繁复、更斑杂的色彩。同时,新时期小说的视觉书写也显示出建构新的主体性形态,以及自我与他者新型关系的萌芽和努力。

Based on the visual writing of Liu Xinwu’s novels and the female image in the male discourse of the New Period, this paper believes the female image has not changed in traditional males’ writing. Women are the stage tools for men’s growth and the comforters of men’s spiritual recovery. However, female writing in the New Period is more complicated when breaking through the female image in men’s writing. The visual writing of the New Period novels also shows the construction of a new form of subjectivity and new relationship between self and others.