论《雷雨》本事的演变

Evolution of Thunderstorm′s True Story

话剧《雷雨》是以现实中作者曹禺家庭中的“很丑很丑”的往事为原型创作的,话剧中“周朴园—蘩漪—周萍”的关系结构,正是现实中“万德尊—薛咏南—万家修”关系结构的映射。在将现实中的“乱伦的事件”转化为艺术中的悲剧时,曹禺同时化用了“启蒙”“左翼”与古希腊“命运”观三种不同的话语。它们以三边博弈的方式,共同参与了曹禺对《雷雨》本事的增删、挪移和虚构,从而造就了1930年代文学生产的非典型现场。

Thunderstorm was created based on″a scandal″of Cao Yu′s family.The relationship of″Zhou Puyuan,Fan Yi and Zhou Ping″in the drama is the mapping of the relationship of″Wan Dezun,Xue Yongnan and Wan Jiaxiu″in reality.When transforming incest incident in reality into a tragedy in art,Cao Yu simultaneously used three different discourses:enlightenment,left wing and ancient Greek concept of fate.In the way of trilateral game,they participated in adding,deleting,transferring and fabricating the true story of Thunderstorm,thus creating an atypical scene of literary production in the 1930s.