摘要
聊斋故事说唱志目中,单弦牌子曲数量最多。单弦牌子曲作者对聊斋故事的编创、重新演绎,不只是重新建构它的话语系统、构拟新的任务形象、细化及添加故事情节,还注意借聊斋故事展示当时的各种文化要素,如服饰文化、饮食文化及婚姻文化等,甚至有时会表达自己对这些文化现象的看法。单弦牌子曲聊斋故事的这些特点,赋予了聊斋故事新的生命力和新的文化内容。另外,由于它使用了大量的方言词语、俗语等,对语言及文化的传承也起了重要的作用。
In the rap catalogs of the stories of Liao Zhai,Danxian Paizi Qu are the most numerous.The writers monochord brand for reworking of the creative,serial story,not only to construct its discourse system,image structure proposed the new task,refined,and add the plot,also pay attention to borrow serial story to show the various cultural elements,such as clothing culture,the cooking culture and the marriage culture,even sometimes express their views on these cultural phenomenon.These characteristics give the stories of Liao Zhai new vitality and cultural content.Besides,it also plays an important role in the inheritance of language and culture,because it uses a large number of dialect words and idioms.
作者
王美雨
WANG Mei-yu(Faculty of arts of Linyi University,Shandong Linyi 276012,China)
出处
《蒲松龄研究》
2021年第1期123-130,共8页
Study on Pu Songling
基金
山东省高等学校人文社会科学研究项目《齐鲁文化背景下的聊斋说唱文学研究》(项目编号:J17B036)阶段性研究成果。
关键词
单弦牌子曲
聊斋故事
创新
重构
文化价值
Danxian Paizi Qu
the stories of Liao Zhai
Innovation
Refactoring
Cultural value