郭沫若诗集《新华颂》删改考

An Examination of the Editing and Revising of Guo Moruo’s Collection of Poems Ode to New China

《新华颂》是新中国成立后郭沫若出版的第一部诗集,它在后来进入其他选集时的删削改易可视作郭沫若后期(1949—1978)诗歌创作的一个缩影。这些删削改易首先源于郭沫若对诗歌有着自己的艺术标准和相当的自觉,然而郭沫若不仅有作为诗人的自觉,还有作为革命者的自觉。诗人的自觉与革命者的自觉,在郭沫若身上互相纠缠,从《新华颂》到《沫若诗词选》,前者逐渐潜隐而后者逐渐张扬。不断的"自我改造"与"自我批评"最终呈现为郭沫若诗歌文本中的删改,并成为当时无产阶级政党的有机知识分子写作的典型现象。

Ode to New China is Guo Moruo’s first collection of poems published after the founding of PRC, whose modification in later collected works reflected Guo’s poetry writing in 1949—1978. These pruning changes were first attributed to Guo’s own artistic standards and considerable self-awareness of poetry. However, Guo not only has the consciousness as a poet, but also as a revolutionary. In the texts, the self-consciousness of the poet and the self-consciousness of the revolutionary are intertwined. From the Ode to New China to The Poetry Anthology, the self-consciousness of the poet gradually conceals and the self-consciousness of the revolutionary gradually manifests itself. The constant "self-improvement" and "self-criticism" are finally presented in the texts, which is a typical phenomenon in the writing created by the organic intellectuals from proletarian party.