苏轼对《江城子》词调的继承与发展

SU Shi's Inheritance and Development of the Tune of Jiangchengzi

《江城子》词调起源于唐五代时期,最早由韦庄进行填词创作。在苏轼之前,运用该词调进行填词创作的词人仅有7位,词作数量仅有16首。苏轼在《江城子》词调发展的历史进程中起到了极为重要的推动作用。他在前人基础上首创《江城子》双调词体形式,拓新了该词调的章法、句式与声韵。苏轼运用《江城子》词调进行填词,仅个人数量就达11首之多,敢于坚守和突破,不以律害意,以“不能不为之为工”的创作态度为后人的艺术创作树立了良好的精神典范。

The tune of Jiangchengzi originated in the Tang and Five Dynasties period.It was first written by Wei Zhuang.Before Su Shi,there were only seven poets and 17 poems based on the tune of Jiangchengzi.SU Shi played a very important role in the development of the tune of Jiangchengzi.On the basis of predecessors,he firstly created the form of double tone Ci in Jiangchengzi,and made a new breakthrough and development in the structure,sentence pattern and rhyme of the tune.Su Shi created as many as 11 single poems by using the tune of Jiangchengzi.He dared to stick to it and break through,and set up a good spiritual model for later generations'creation of Ci with the creative attitude.