摘要
自2015年"中国电影学派"的概念提出以来,一个尚待解决的重要问题是,中国电影学派立足于世界的基础和核心是什么?文章以为,根植于中华民族上下五千年的伦理思想传统,应该成为打造中国电影学派的基点,同时也是打造中国电影学派具有东方美学气质、民族特色和国家品牌意识的独特标识的基础,由此而建立的电影伦理学理应成为中国电影学派价值体系构建的核心内容。中国电影学派作为一种国家品牌构想,要屹立于国际电影之林,必须立足于中国特色,以传统伦理文化、思想作为其理论体系的核心。目前无可争辩的一个事实是,价值观的多元取向已经成为极普遍而又尖锐的社会问题,在电影中集中表现为人文关怀缺失、性与暴力泛滥、"三俗"倾向等伦理失范现象。电影伦理学学科研究已经成为打造中国电影学派独特品性的必要路径之一。电影伦理学作为一门以电影的伦理关系为研究对象的新兴学科,能够从历史和现实两个层面廓清中国电影伦理路径,同时为现实电影创作提供美学和价值参考,构建中国电影伦理思想谱系。在电影伦理学的学术支持下,中国电影学派需要实现以东方美学为目标,以人类命运共同体为旨归,既具备传统美德,又具有现代意识,同时符合社会主义核心价值观、面向世界的学派打造。
Since the concept of"Chinese Film School"was put forward in 2015,one of the important problems to be solved is,what is the foundation and core of Chinese Film School based on the world?This paper thinks that the ethical thought tradition rooted in the Chinese nation for five thousand years should be the basis point of building the Chinese film school,and it is also the unique symbol of the Chinese film school with oriental aesthetic temperament,national characteristics and national brand consciousness.As a national brand concept,the Chinese film school must be based on Chinese characteristics and absorb traditional ethical culture and thought as the core of its theoretical system.At present,it is indisputable that the pluralistic orientation of values has become a very common and sharp social problem.In the film,the lack of humanistic care,the spread of sex and violence,the tendency of"three vulgar"and other ethical irregularities are concentrated.The development of film ethics has become a necessary means to create the unique character of Chinese film school.Film ethics,as a new subject with the ethical relationship of film as the research object,can clarify the ethical path of Chinese film from two aspects of history and reality,and provide aesthetic and value reference for realistic film creation.Construct the pedigree of Chinese film ethics thought.With the academic support of film ethics,the Chinese film school needs to achieve the goal of oriental aesthetics and the community of human destiny,which has both traditional virtues and modern consciousness.At the same time,it conforms to the socialist core values and faces the world.
作者
袁智忠
田鹏
YUAN Zhi-zhong;TIAN Peng(Institute of Film and Television Communication and Moral Education,Southwest University,Chongqing 400715)
出处
《艺术百家》
CSSCI
北大核心
2021年第1期85-91,共7页
Hundred Schools In Arts
基金
2020年度国家社会科学基金艺术学一般项目“改革开放以来主流电影的道德伦理思想研究”(项目编号:20BC33)阶段性成果
“中央高校基本科研业务费专项资金资助”——创新团队项目“中国电影伦理思想研究”(项目编号:SWU2009111)中期成果之一。