摘要
梁祝传说的发生与宜兴"祝英台读书处"巨型石刻有关,石刻位于古善权寺后的碧藓岩。"祝英台读书处"成刻背后的缘由极不光鲜,与它毗邻的善权寺及祝英台密切相关。唐"会昌灭佛"运动中,钟离简之出资购得善权寺产,至咸通八年(867),李蠙经上奏"收赎"寺产谋为私宅,为堵非议者之口,后将"祝英台读书处"六字与其奏书及皇帝的批复一同刻于寺后碧藓岩,刻字时间为唐咸通十三年(872)。"祝英台读书处"原是引导人们识读碧藓岩上文字的标识,因后人对刻石文字的误解才造就了梁祝传说的发生,故唐咸通十三年(872)为梁祝传说起源的上限。
The legend of Liang-zhu is related to the huge stone carving of Zhu Yingtai Dushuchu in Yixing,which is located in the green moss rock behind the ancient Shanquan temple.The reason behind carving is not bright,which is closely related to theShanquan temple.During"Huichang Exterminating Buddhism"Movement in Tang Dynasty,Zhongli jianzhi bought the temple,thenLi pin bought itand made his own private house.In order to block the mouth of the critics,Li pin engraved the six characters together with the emperor’s official reply,when was the 13 th year of Xiantong(872).The carving of Zhu Yingtai Dushuchu was originally a sign to guide people to read the characters on the rock,because of the people’s misunderstanding,the legend came into being.So,the 13 th year of Xiantong(872)was the earliest origin time of Liang-zhu.
作者
王宁邦
WANG Ning-bang(School of Literature,Nanjing Xiaozhuang University,Nanjing,Jiangsu 211171;Institute of Cultural and Natural Heritage,Nanjing University,Nanjing,Jiangsu 210093)
出处
《艺术百家》
CSSCI
北大核心
2021年第1期109-114,132,共7页
Hundred Schools In Arts
基金
2019年度国家社科基金后期资助项目“梁祝传说源流研究”(项目编号:19FZWB025)阶段性成果。
