“羌姆”法舞的渊源问题再思考——以苯教“赛玛格羌姆”为例

On the Origin of the Religious Dance“Vcham”:Taking the Bon Religion“Gze ma dgu vcham”as an Example

神话、舞蹈、仪式是人类社会的早期文明现象,具有深厚的原始文化底蕴。文章运用宗教人类学、神话学、艺术学的学科理论和方法,从苯教“赛玛格羌姆”的传承和表演所具有的特征入手,对其神话舞蹈性、神话与仪式的混合载体特征进行研究,分析了“羌姆”法舞的历史渊源问题。

Myths,dances,and rituals are the early civilizational phenomena of human society,with profound primitive cultural background.By employing the theories and methods of religious anthropology,mythology,and art,this paper analyzes the mythical dance nature of the Bon religion“gze ma dgu vcham”,the mixed characteristics of myth,dance and ritual,and the origin of the religious dance“vcham”.