摘要
民间音乐呈现出来的地域特色,既有独特风格的“一致性”,又有体裁类别各殊的“多样性”。观照民间音乐实践中的“社会身份独特性”的直接作用,通过对“一曲众用”现象的粗浅检视,开显民间音乐生态中音乐语言创造、音乐修辞积淀、音乐文化资源隐藏的巨大潜力。艺术高于生活,却源于生活实践,深入了解“母语”土壤的音乐资源,师法“自然”。这或许是职业作曲家创作灵感上取之不竭的宝藏,抑或是文化身份赖以体现且不可切割的根脉。
Regional folk music not only shows the consistency of its unique style but also the diversity of its genres.This paper observes the direct role of"social identity uniqueness"in folk music practice and reveals the great potential of music language creation,music rhetoric accumulation and music cultural resources in folk music ecology through a superficial examination of the phenomenon of"one song by many uses".Art comes from life and goes beyond it,for which artists should have a deep understanding of the music resources rooted in their"mother tongue"and learn from"nature".This may be the inexhaustible treasure for inspiring professional composers,or the unbreakable root which shows their cultural identity.
作者
陈姝婧
张建国
CHEN Shujing;ZHANG Jianguo(School of Music,Minjiang University,Fuzhou Fujian 350108,China;Fujian Academy of Arts,Fuzhou Fujian 350001,China)
出处
《莆田学院学报》
2021年第1期91-98,共8页
Journal of putian University
关键词
莆田
山歌
一曲众用
调意共性程式
技艺积淀
Putian
folk song
one song for all
the common formula of meaning adjustment
accumulation of skills