易简工夫终久大 新知培养转深沉——试论汉语语境中的音乐美学与音乐史学的学科分野与交融

Generating Great Research Through In-Depth Analysis of Simple Theoretical Knowledge:The Disciplinary Distinction and Convergence Between Music Aesthetics and Music History in the Chinese Context

本文着眼于当前汉语音乐学语境中音乐美学与音乐史学的关系,从学科理论的立场,结合思想史维度与方法论视角,通过对这两个音乐学子学科相互关系及各自所面临的问题的思考,来审视“音乐学”的学科性质,由此探问:如何将目前的危机转化成机遇,并反思在当下的学术环境中音乐学研究与人的关系。

This article focuses on the relationship between music aesthetics and music historiography in the current Chinese musicology context.With the consideration of these two musicological sub-disciplinaries and the issues they face,from the standpoint of discipline theory and the perspective of ideological history and methodology,it examines the nature of the discipline of musicology and asks how to turn the current crisis into an opportunity,reflecting on the relationship between musicological research and people in the current academic research.