革命叙事对侠义精神的重建——以金庸小说为例

The Reconstruction of Chivalrous spirit by Revolutionary narrative:ACase Study of Jin Yong's Novels

香港新派武侠小说借鉴了左翼文学的革命叙事,基于儒家传统思想资源对侠义精神进行了重构,一方面强调反抗阶级压迫、反抗民族压迫和人人平等的思想;另一方面则一反传统侠客与国家之间的紧张关系,强调侠义精神的最高境界是“侠之大者,为国为民”。这与台湾新派武侠小说在叙事层面上存在着巨大的差异。新派武侠小说中的侠客形象是小说作家在20世纪家国之忧背景下对自身形象进行的一种理想化投射,这种投射试图以一种理想化的方式解决个性独立而自由的侠客形象与国家之间的矛盾。从这个角度说,侠客的形象是小说作家对理想国民的一种塑造。新派武侠小说对侠义精神下使用暴力的条件必须给予合理的解释,而这就是社会不正义的存在。

Hong Kong’s new martial arts novels draw lessons from the revolutionary narrative of left-wing literature,and reconstruct the chivalrous spirit based on the traditional Confucian ideological resources.On the one hand,it emphasizes the idea of resisting class oppression,resisting national oppression and equality of all;on the other hand,it opposes the tension between the traditional knight errant and the state,and emphasizes that the highest level of chivalry is“the greatest knight,for the country and the people”.There are great differences in Narration between these novels and Taiwan’s new martial arts novels.The image of the knight errant in the new school martial arts novels is an idealized projection of the image of the novelist to his own image under the background of the worries of the country in the 20th century.This kind of idealized projection tries to solve the contradiction between the independent and free chivalrous image and the country in an idealized way.From this perspective,the image of the knight errant is a kind of shaping of the ideal nation by the novel writer.The new martial arts novels must give a reasonable explanation for the conditions of using violence under the chivalrous spirit,which is the existence of social injustice.