洪亮吉的京师之行与都下文学生态

HONG Liang-ji’s Visit to the Capital and the Literary Ecology under the Capital

乾嘉时期,文人流动极为普遍,流动态势颇为多元,而由家乡到京师的流动当为文人最常态的选择。常州诗人洪亮吉,一生舟车南北,游历四方,曾七入京师,前后寓京八载余,帝都既成就了其人生的巅峰,也将他的仕宦生涯抛到了谷底,京师岁月成为其一生最难忘却的记忆。寓京期间,洪亮吉的创作主要收在《卷施阁诗》与《卷施阁文甲集》《卷施阁文乙集》以及部分《更生斋诗》集中,这些创作犹如一组特写镜头,刻录下诗人帝都生活的焦虑、诗酒唱酬的日常以及颂圣纪恩的燃情岁月。此一内容的揭示,在丰富洪亮吉个体研究之同时,亦不失为冰山之一角,由此略可窥见乾嘉时期都下文学生态之一隅。

During the Qianjia reign,literary mobility was extremely common and diverse,and the movement from one’s hometown to the capital was the most popular choice for literary figures.HONG Liang-ji,a poet from Changzhou,spent his life travelling north and south by boat and in all directions,and entered the capital seven times.His eight years’stay in the capital helped him achieve the peak of his life,but led to his official career at the bottom,which the most unforgettable memory in his life.During his stay in capital,his compositions were mainly collected in the Juanshi Pavilion Poems,the Juanshi Pavilion Articles I and the Juanshi Pavilion Articles II as well as some in the collection of the Regeneration Room Poems,which are like a set of close-ups,recording the anxieties of the poet’s life in the imperial capital,the daily routine of poetry and wine,and the burning years of glorifying the saint’s grace.The revelation of this content,while enriching the study of HONG Liang-ji as an individual,is also the tip of the iceberg,offering a small glimpse into the literary ecology in Qianjia reign.