论王铎书法的守身与联姻--观千唐志斋博物馆王铎书法刻石

Self-adherence and Integration of Wang Duo’s Calligraphy--Visiting the Stone Inscriptions of Wang Duo’s Calligraphy Works in Qiantang Zhizhai Museum

王铎是明末清初书坛上的一位巨匠,是中国书法史上一位推陈出新的人物。王铎在书法的创新方面有别于前人而又不失其合理性,师古而不泥古。从王铎书法的守身与联姻方面可以看出,只有守于古法而纵横取法,方能达到书法艺术的更高峰。准确地把握王铎书法在继承和发展上的重心和联系,有利于当代书法家在开一代书风方面把握正确的导向。

Wang Duo,a great master of calligraphy at the transition period of the Ming and Qing dynasties,was a calligrapher who brought forth the new through the old in the history of Chinese calligraphy.As for the innovations in calligraphy,Wang Duo was distinct from his predecessors,yet what he did was rational.Additionally,he learned from the ancient masters and his predecessors but did not rigidly adhere to the rules.From the self-adherence and integration of Wang Duo’s calligraphy,we can draw the conclusion that the peak of calligraphy art can only be reshaped by holding on to ancient methods and creating new methods through broad learning.The accurate grasp of the core and connection of Wang Duo’s inheritance and development of Chinese calligraphy will be beneficial to contemporary calligraphers who aspire to create a new style of calligraphy.