摘要
以开封不同时期的“八景”为研究对象,探讨“汴京八景”的历史演变过程,为开封地域文化的传承发展及当代风景园林建设提供一定的理论支持,“汴京八景”从出现至今都兼具自然景观和人文景观,其时空变迁特征与黄河对城市的影响存在一定的关联。在演变的过程中,呈现出空间落位由城外向城内、分散向集中发展的趋势,景点的评定也由最初的文人知识分子审美意识转变成为一种集体意识。
Taking the“Eight Sceneries”in different periods of Kaifeng as the research object,this paper discusses the historical evolution process of“Eight Sceneries of Bianjing”,which provides some theoretical support for the inheritance and development of Kaifeng regional culture and the construction of contemporary landscape architecture.Since its appearance,“Eight Sceneries of Bianjing”has both natural and cultural landscapes,and its temporal and spatial changes are related to the influence of the Yellow River on cities.In the process of evolution,there is a trend of spatial location from outside the city to inside the city,and the evaluation of scenic spots has changed from the initial aesthetic consciousness of literati and intellectuals to a collective consciousness.
作者
马华
张文英
Ma Hua;Zhang Wenying(Forestry and Landscape Architecture School,South China Agricultural University,Guangzhou 510642,China)
出处
《山西建筑》
2021年第9期165-167,共3页
Shanxi Architecture
关键词
地域文化
汴京八景
历史变迁
regional culture
Eight Sceneries of Bianjing
historical changes