从修辞意义的建构中探讨主体精神的自我实现

On Self-realization of Subject Spirit from the Construction of Rhetorical Meaning

在康德哲学中,诗歌和修辞学中都伴随着想象力和知性的自由游戏,康德的自由是审美的自由,主体的自由。文章探讨陶渊明诗歌中“托”、“庐”在特定语境中的修辞意义,并对这种修辞现象从修辞信息的构成、文化知识的介入和合作原则三个角度作出有阐释力的解说,以期探讨在诗歌审美意义的建构中人类主体精神的自我实现。

In Immanuel Kant’s philosophy,the free play of imagination and sentiments are accompanied in poetry and rhetoric.Here the freedom refers to the freedom of aesthetics and the subject.This paper has a discussion of the rhetorical meaning of“Tuo”and“Lu”in special context in the poem of Tao Yuanming.Based on that,it further explains this rhetorical issue from the composition of the rhetorical information,the intervention of the cultural knowledge and the cooperative principle in order to reveal the self-realization of the human subject spirit in the construction of the aesthetic meaning of poetry.