论路遥、陈忠实、贾平凹的文学精神

On the literary spirits of Lu Yao,Chen Zhongshi and Jia Pingwa

路遥、陈忠实、贾平凹对小说的创作理念拥有共同的认识与理解,并在此基础上生发出了别样的文学气质。路遥执着于现实主义文学传统,以文学的方式对个人、时代、国家三方问题展开了深沉的思考,表现出静思坚守的文学精神;陈忠实怀有剥离与寻找的文学信仰,他师法柳青却也有意识地剥离柳青的影响,着力突破题材与思想的禁区,寻找到了"属于自己的句子";贾平凹身上则潜藏着探索超越的文学决心,他不知疲倦地对小说的题材、写法等问题展开持续的探索,文学风格多转移,而艺术境界也超越了个人、群体与时代。对他们三人文学精神的探究,可为我们提供一个透视作家与当代文学层次及境界的崭新视角,对于回答"文学何为""文学为何神圣"等问题具有更为深广的内涵与现实意义。

Lu Yao, Chen Zhongshi and Jia Pingwa have a common understanding of the novel’s creation, and on this basis, they have produced different literary temperaments. Lu Yao persists in the literary tradition of realism, and has deep thoughts on the issues of the individual, the era, and the country in a literary way, which shows the literary spirit of meditation and perseverance. Chen Zhongshi believes in the literary beliefs of stripping and searching. He has consciously stripped Liu Qing’s influence, although he followed the example of Liu Qing. Chen struggles to break through the forbidden areas of the subject and thought, to find "the sentences that belong to him".Jia Pingwa is determined to explore and surmount. He spares no effort to study the subjects and writing techniques and his literary styles are flexible, and the realm of art also transcends the individuals, groups, and times. The exploration of their literary spirit can provide us with a new perspective on the level and realm of the writers and the contemporary literature, and it has a deeper connotation and practical significance for answering questions such as "why is literature" and "why is literature holy".