摘要
李政德是一个丰富而多产的摄影师和艺术家。不久前,李政德发布了新作品。他的“图层”系列看起来光怪陆离、不近人情,有一种末世的混乱美学感。显然,他的创作方式发生了很大的变化。李政德从一个照相师变成了一个造像师,从一个直接摄取世界的摄影师变成了一个创造世界的艺术家。这有些意外,也这让我们对他有了新的认识。本文试图梳理李政德从2009年至今的创作脉络,指出他从一个摄影师转变成一个艺术家的必然性,同时,本文认为他的“图层”作品展现了一种末世混乱美学,是艺术家内心心理图层的外在投射和表现。
Li Zhengde is a rich and prolific photographer and artist.Not long ago,Li Zhengde released his new work.His Layers series look weird and impersonal,with an eschatological sense of chaos.Obviously,his way of writing has changed a lot.Li Zhengde changed from a photographer to a sculptor,from a photographer who absorbed the world directly to an artist who created it.It was a bit of a surprise,and it gave us a new insight into him.This paper attempts to sort out the creative context of Li Zhengde from 2009 to now,and points out the inevitability of his transformation from a photographer to an artist.At the same time,this paper believes that his"Layers"works show a kind of an esthetic chaos in the end times,which is the external projection and expression of the inner psychological layer of the artist.
出处
《当代美术家》
2020年第6期30-33,共4页
Contemporary Artists
关键词
照相
造相
混乱美学
决定性瞬间
photography
creat images
aesthetics of confusion
decisive moment