摘要
文章从学术史的角度梳理了“树形思维”,以此作为思考“外国美术史”教学现状的切入点,并尝试绘制一份“外国美术史教学思维树形图”,再辅以教学案例。本文旨在探讨,在“视觉”与“人文”之间,在课堂内外,如何转变观念,借树形思维重构高校外国美术史教学。
This paper combs the"tree thinking"from the perspective of academic history,and takes this as a starting point to think about the current situation of"foreign art history teaching",trying to draw a"tree thinking diagram of foreign art history teaching",with teaching cases.The fundamental question is how to change the concept and reconstruct foreign art history teaching in colleges and universities by means of tree thinking between"image"and"humanity",both inside and outside the classroom.
出处
《当代美术家》
2020年第6期52-55,共4页
Contemporary Artists
基金
重庆市高等教育教学改革研究资助项目(编号:5142038)
四川美术学院博士重大课题培育项目(编号:613010102)。
关键词
树形思维
外国美术史
图像学
符号学
新艺术史
tree thinking
foreign art history
teaching
Iconology
Semiotics theory
the new art history