摘要
笔者从艺术家的生活、学习、创作经历梳理了吴少英的创作风格演变,总结其在当代语境下对水墨艺术的探索路径。从绘画,到装置,再到影像,对于墨在不同媒介上所展现出来的具有东方哲学的表达方式一直是吴少英的创作主线。吴少英对于水墨的尝试,解放了材料与工具的使用范围,她逐步将水墨从画笔的从属地位和其长期与修辞、图像关系的局限中解放出来,并不断地去拓展水墨艺术的边界,使得水墨的可能性不断延伸。
The author sorts out the evolution of Wu Shaoying’s creative style from the artist’s life,learning and creation experience,and summarizes the exploration path of ink painting art in the contemporary context.From painting,to installation and image,the expression of ink in different media with oriental philosophy has always been the main line of Wu Shaoying’s creation.Wu Shaoying’s attempt at ink painting has liberated the range of materials and tools.She has gradually liberated ink painting from the subordinate position of the brush and the limitation of its long-term relationship with rhetoric and images,and continuously expanded the boundary of ink painting art,making the possibility of ink painting continuously extend.
出处
《当代美术家》
2020年第6期56-59,共4页
Contemporary Artists
关键词
水墨
媒介
当代语境
ink painting
media
contemporary context