《南方车站的聚会》:多元碰撞创造艺术特色

Wild Goose Lake: Multiple Collisions Create Artistic Features

《南方车站的聚会》是一部融合了个性叙事、黑色美学、暴力奇观并深度解剖人性的黑色电影。导演刁亦男力图复原怪诞现实,追求一种抛弃逻辑的关乎感受性的真实,以对表象的绝对热爱驾驭现实的复杂性,使影片存在真假、善恶、美丑等多元对立的元素,正是在这些元素的交织与碰撞中,影片的艺术特色得以呈现。文章从叙事模式、人物塑造、视听呈现三个方面,尝试分析《南方车站的聚会》在多元碰撞中创造的艺术特色。

Wild Goose Lake is a film noir that integrates unique narrative,aesthetics noir,violent spectacle and deep dissection of human nature. Diao Yinan,the director,manages to restore the eerie reality and pursue the abandonment of logical and perceptual truth. And the absolute love for appearances over the complexity of the real world makes the multiple and opposing elements like true and false,good and evil,beautiful and ugly integrated into the film. It is in the interweaving and collisions of these elements that the artistic features of the film are presented. This article attempts to analyze the artistic features from three aspects: narrative mode,character shaping,and audio-visual presentation.