感觉的生成、差异及其意义——对德勒兹绘画观的美学探讨

The Generation,Difference and Significance of Sensation——The Aesthetic Discussion on Deleuze’s View of Painting

“感觉”是《感觉的逻辑》的重要词眼,吉尔·德勒兹围绕它对培根的绘画展开了丰富的解读。此文认为“感觉”具有三层美学内涵。首先,“感觉”借助“无器官的身体”“看不见的力量”和“触觉”等形象生成,这些要素以游牧的方式呈现各自孤立的特点。其次,感觉的差异是指它能去除回忆和各种一般性的制约,面向事件本身,在每个瞬间爆发出差异性的身体体验感,提供源源不断的创生动力。最后,“感觉”能够有效切断知识理性对生命感性的限制和侵扰。它对于化解生命可能遭遇到的现代同一性危机,具有重要的启示意义。

Sensation is an important word of The logic of Sensation,around which Gilles Deleuze developed the abundant interpretation of Bacon’s paintings.This paper holds that sensation has three aesthetics connotation.Firstly,it can be generated by images,such as the body without organs,the invisible strength and the sense of touch,which present their isolated characteristic in the nomadic way.Secondly,the difference of sensation means that it can get rid of memories and all kinds of constrains,faces the event itself,break out the different sense of physical experience and provide endless creative power.Finally,sensation can effectively cut off the restriction and intrusion of intellectual rationality on life sensibility.It is of great significance for resolving the crisis of modern identity that our life may meet with.