摘要
《奥兰多》是弗吉尼亚·伍尔夫“新传记”观的实验作品,真实与虚构在传记中交织。伍尔夫利用传统传记线性叙事方式跟踪奥兰多四百多年的经历,尤其注重通过立体化的叙事表征探索传主内心真实并通过多角度叙事,利用他人视角和传主内心独白等性格虚构方式实现角色为自己说话,立体化呈现传主形象。同时,利用奥兰多心理时间作为事实,选用空间凝聚心理流变的方式,将奥兰多绵延的心理活动虚构化地呈现,实现“新传记”立体化叙事方式。
Orlando is Virginia Woolf’s experimental work practicing the new biography view,in which truth and fiction are interwoven.She tracks Orlando’s experience for more than 400 years by using the traditional biographical linear narrative way,pays special attention to exploring the inner truth of the master through three-dimensional narrative representation and through multi-angle narration,using personality fictional wayssuch asother people’s perspectives and inner monologue of the master,the roles can speak for themselves,and the image of the master can be presented from multiple angles.At the same time,Orlando’s psychological time is used as a fact,and space is chosen to condense the psychological evolution to fictionalize Orlando’s continuous psychological activities,thus realizing the three-dimensional narrative mode of new biography.
作者
王欣
房佳仪
WANG Xin;FANG Jia-yi(Foreign Languages Department,Harbin Engineering University,Harbin Heilongjiang 150001,China)
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2021年第4期114-116,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2020年度黑龙江省哲学社会科学研究规划项目:伍尔夫“新传记”叙事表征与审美研究(20WWB062)。
关键词
新传记
立体化
叙事表征
内心真实
new biography
three-dimensional
narrative representation
inner truth