摘要
艺术史的构成形状虽多种多样,但要逐步跳出西方对学科概念认识的划分,不要完全依据西方的方法来局限我们对中国艺术史的认识,我们亟待建立属于自己历史语境的艺术学研究体系。具体涉及的学术话题有:艺术史与艺术史学科建构与整合的依据是什么?横跨或打通各艺术门类的艺术史有无存在的可能和必要?海外艺术史研究范式与中国艺术史研究方法如何形成比较互鉴?艺术史学本土化研究如何理解?元艺术史研究是何意?艺术史文献资料和实物材料(存世、考古)这两大层面构成的观看角度有何差异?
We urgently need to establish art studies in our own historical context system,while do not limit our understanding of Chinese art history solely based on Western methods.Although there are various forms of art history,we must gradually break away from the Western classification of disciplinary concepts.The specific academic topics that are involved:What is the basis for the construction and integration of art history and art history disciplines?Is it possible and necessary for art history to connect or open up various art categories?How do overseas art history research paradigms and research methods of Chinese art history form a comparison and mutual learning?How do researchers understand the localization research of art history?What is the meaning of the meta-art history research?What is the difference between art history documentation and physical materials(existence,archaeology)on their viewing angle?
出处
《艺术探索》
CSSCI
2021年第1期46-50,共5页
Arts Exploration
关键词
艺术史
学科建构
研究范式
元艺术史
Art history
Discipline construction
Research paradigm
Meta-art history