蒙古族传统器乐曲《八音》的演奏风格、传承与现状——基于国家级四胡传承人巴彦保力格口述访谈的分析研究

On the performan ce style,inheritance and present situ tion of Bayin——Based on the oral statement of Bayan Baolige,a national inheritor of the Four Hus

蒙古族传统器乐曲《八音》,通过民间艺人的不断加工,已经成为蒙古族传统器乐曲中的珍贵文化遗产。本文以蒙古族传统器乐曲《八音》为研究分析对象,通过对蒙古族四胡国家级传承人巴彦宝力格老师的口述访谈,重点解读《八音》在历史变迁中所体现的独特音乐风格。同时,对其在社会历史变迁和文化交融背景下所呈现出来的多样化的风格特征进行分析,最后,还指出了蒙古族传统器乐曲《八音》目前传承及演奏方面所存在的问题,并提出了自己建设性的思考。

the Mongolian traditional instrumental"Ba Yin"through the continuous processing of folk artists,has become a precious cultural heritage of the Mongolian traditional instrumental music,this article focuses on the subject of"Ba Yin",to the Mongolian Mongol four-stringed instrument of national heritage and YanBaoLi oral interviews,details about the eight existing problems in the current transmission and playing,and interpret its history and culture change embodied in music style and unique history under the background of social change and culture blending rendering style diversification characteristics of discussion,and puts forward personal opinions.