摘要
作为一种典型的跨学科研究范式,跨媒介艺术研究的学术传统至少涵盖以下四个方面:以诗画关系为代表的"姊妹艺术"研究、美学维度的艺术类型学研究、比较文学主导的比较艺术/跨艺术研究,以及当代文化视域下的媒介研究。以这一学术传统的历史脉络为依据,其基本问题可以分别从两个层面来考察:一是微观层面以模态关系为代表的跨媒介分类体系;二是宏观层面以技术变迁和文化实践为语境的跨媒介生态系统。由此所揭示出来的一系列关键议题及其话语范式,则为艺术学理论学科的知识学建构,提供了跨媒介研究维度至关重要的前提条件。
As a typical interdisciplinary research paradigm,the academic tradition of intermedial studies of the arts covers at least four aspects: "the sister arts"studies represented by the relationship betw een poetry and painting, art typology studies in aesthetic dimension,comparative art/inter-arts studies dominated by comparative literature,and media studies from the perspective of contemporary culture. Based on the historical context of this academic tradition,its basic problems can be examined from tw o levels: one is intermedial classification system represented by modal relations at the micro level;the other is intermedial ecosystem in the context of technological change and cultural practice at the macro level. In the dimension of intermedial studies,a series of key issues and discourse paradigms thus revealed provide a crucial prerequisite for the construction of know ledge in the discipline of art theories.
出处
《中国比较文学》
CSSCI
北大核心
2021年第1期26-42,共17页
Comparative Literature in China
基金
国家社科基金艺术学重大项目“艺术学理论的跨媒介建构及其知识学研究”(编号:20ZD26)
教育部人文社科研究规划基金项目“全媒体时代的艺术传播方式研究”(编号:19YJA760067)的阶段性成果。
关键词
跨媒介性
知识学建构
跨媒介分类体系
跨媒介生态系统
话语范式
intermediality
construction of know ledge
intermedial classification system
intermedial ecosystem
discourse paradigm