摘要
元初以杭州为中心的江南地区是当时遗民与文人聚集之地,同时也是当时一大书画中心,鲜于枢置身其中,在增益自己收藏的同时,也饱览了当时大藏家周密、王芝、乔篑成、郭天锡、赵孟頫等人的收藏。作者通过梳理、罗列鲜于枢过目书画及所用印鉴,尝试考察其鉴藏趣味及书学思想,并对相关问题加以考辨。
In the early Yuan times, the Jiangnan region, especially Hangzhou, where Yimin(the adherent of the previous Dynasty) and scholars gathered, developed into the major market of historical painting and calligraphy, equally paralleling Beijing anyway. While living in Hangzhou, Xianyu Shu got good chances to collect and appreciate many masterpieces in the possession of master connoisseurs Zhou Mi, Wang Zhi, Qiao Kuicheng, Guo Tianxi and Zhao Mengfu. The thesis tends to figure out Xianyu Shu’s appreciation and appraisal of painting and calligraphy as well as his philosophy on calligraphy from his experience and his seals as well.
出处
《故宫博物院院刊》
CSSCI
北大核心
2021年第3期85-101,111,共18页
Palace Museum Journal
关键词
鲜于枢
过目书画
印章
书画鉴藏
Xianyu Shu
the paintings and calligraphies in one’s appreciation
seals