移位与颠覆——《此房是我造》的原型解读

Shift and Subversion:Archetypal Interpretation of The House that Jack Built

拉斯·冯·提尔的新片《此房是我造》广泛借鉴文学、历史、宗教等知识,打造了一部另类的“融合电影”。影片在多种元素的碰撞中触发了文学原型机制,在主人公形象、象征意象及叙事结构等方面显示出对原型既继承、又颠覆的特性,使得该影片具有强大的艺术张力和多元的阐释空间。本文旨在分析影片中对原型所作的移位,从创作者角度思考现代性的神话改写。

Lars von Trier’s movie The House that Jack Built draws lessons from literature,history,religion and other knowledge,and creates an alternative“fusion film”.The film triggers the literary archetype mechanism in the collision of various elements,and shows the characteristics of inheriting and subverting the archetype in the hero image,symbolic image and narrative structure,which endows the film with strong artistic tension and diversified interpretation.The purpose of this paper is to analyze the shift of archetypes in the film and to think about the mythological rewriting of modernity from the creator’s point of view.