《广成仪制》中的道教仪式音乐

Tao Ritual Music in Guang Cheng Yi Zhi

《广成仪制》集录了大量清代仪式音乐,因无文字说明而道派性质不明。文章以仪式音乐本体特征为基础,复以相关背景资料综合分析,初步辨明其以延续古代正统道教音乐为主,掺用较多明显的乡土元素,总体属于以全真道为主、火居坛门道为辅的仪式音乐系统,在清代道教音乐的整体研究和道教俗化发展研究方面具有重要价值。

Score Guang Cheng Yi Zhi collects a large volume of ritual music in Qing dynasty.Due to lack of written text,it is unclear which sect of Tao it belonged to.With a comprehensive analysis on relative background information based on authentic features of ritual music,this paper identifies the score belongs to the ritual music system that primarily based on Quanzhen Taoism with Huotan Sect,that it is the continuous of traditional ritual music fused with obvious folk elements,and therefore contains a significant value in general study of Tao music in Qing Dynasty as well as its secularization.