摘要
2016年2月上映的韩国电影《鬼乡》是由赵廷来执导的历史题材战争片,以二战慰安妇受害者姜日出的真实经历为原型,讲述了1943年日本侵占朝鲜时期,豆蔻处子贞敏以及年纪相仿的少女们被日军强行带走后成为慰安妇的悲惨故事。《鬼乡》因沉重而敏感的宏大历史题材性质,多种蒙太奇并用的超现实主义叙事方式,镜像映照的人物关系塑造,奠定了其在韩国电影史的独特地位。
The South Korean movie Spirits'Homecoming released in February 2016 is a historical war film directed by Cho Ting-lai.It is based on the real experience of the comfort woman victim Jiang Illu during World War II and tells the story of the Japanese occupation of Korea in 1943.During the period,the tragic story of the virgin Zhenmin and girls of similar age who became comfort women after being forcibly taken away by the Japanese soldiers.The heavy and sensitive nature of the grand historical theme of Spirits'Homecoming,the surrealist narrative method that uses multiple montages,and the relationship between the characters mirrored in the mirror image have established its unique position in the history of Korean film.
作者
王裕迪
WANG Yu-di(School of Communication,Zaozhuang University,Zaozhuang 277160,China)
出处
《枣庄学院学报》
2021年第3期131-135,共5页
Journal of Zaozhuang University
基金
2020年度山东省艺术科学重点课题“大后方战争题材电影的精神分析研究”(项目编号:QN202008079)阶段性研究成果。
关键词
《鬼乡》
慰安妇
编剧技巧
韩国电影
战争片
Spirits'Homecoming
Comfort women
Screenwriting skills
Korean films
War movies