隐喻、寓言与抒情诗:比较语境下余宝琳中国非虚构诗学研究

Metaphor,Allegory and Lyrical Poetry:Research on Pauline Yu’s Nonfictional Poetics of China in a Comparative Context

以余宝琳《隐喻与中国诗》《寓言、寓言式批评与诗经》《间离效果:比较文学与中国传统》三篇论文和著作《中国诗歌传统中的意象解读》为基础文本,描述余宝琳对隐喻、寓言、意象、抒情诗等中西术语概念差异的比较,总结余宝琳从宇宙一元论、刺激-反应写作模式、现世的诗学传统三方面对中国非虚构诗学的阐发,指出余宝琳中国非虚构诗学研究的哲学美学、比较诗学理路和差异性策略,既带来其理论的清晰,也造成其研究过于强调本体论差异,忽视具体文本分析和绝对化倾向的不足。

With her three articles,‘Metaphor and Chinese Poetry’,‘Allegory,Allegoresis and the Classic of Poetry’and‘Alienation Effects:Comparative Literature and the Chinese Tradition’,as well as her book,The Reading of Imagery in the Chinese Poetic Tradition,this paper is intended to depict Pauline Yu’s comparison of the conceptual differences in such Chinese and Western terms as metaphor,allegory,imagery and lyrical poetry,summing up her elucidation on the nonfictional poetics of China from the perspectives of universal monism,stimulus-response writing model and the present-day tradition of poetics and pointing out that her philosophical aesthetics of the nonfictional poetics of China and her reasoning on comparative poetics and differential strategy,while producing theoretical lucidity,show deficiencies in over-emphasizing ontological differences,ignoring concrete analysis of texts and a tendency towards absolutism.