摘要
借用本雅明的"光韵"概念,以考察博物馆经验和个体经验实践这二者之间由分离转向融合的过程,讨论互联网"场景复制"时代博物馆物与人的互构关系。这一关系聚焦博物馆的"社区性"实践以及人在实践中实现其行动主体的过程。也正是在这个意义上,博物馆的"社区性"与"场景"实践共同构成公共文化服务实践的一个新维度。博物馆的"社区性"既是一个场景化与再场景化的良性互动过程,也是数字的、公共的、普及的或多元的公共文化服务实践过程。通过这种"社区性"实践,可以为未来博物馆的公共文化服务实践提供可选择的路径。
This paper borrows Benjamin′s concept of"aura"to interpret the process from separation to integration between museum experience and individual experience practice and to discuss the mutual constitution relationship between museum objects and human in the era of internet"Context Replication".This relationship focuses on the practice of museum′s"community"and the process by which human realize their subjects of action in this practice.It is in this sense that the museum′s"community"and"context"practice constitute a new dimension for public cultural service practice together.In such a practice,museum′s"community"is not only a benign interactive process of context and re-context,but also a digital,public,popular and diverse public cultural service practice process.This"community"practice can provide an alternative path for the public cultural service practice of the museum in the future.
作者
李红艳
冉学平
Li Hongyan;Ran Xueping(China Agricultural University)
出处
《新闻与传播评论》
CSSCI
2021年第3期59-67,共9页
Journalism & Communication Review
基金
国家社会科学基金一般项目(18BXW077)。
关键词
博物馆
场景复制
社区性
公共文化服务实践
museum
context replication
community
public cultural service practice