1990年代以来浙江新诗群的审美嬗变——以北回归线、野外、诗青年为例

Aesthetic Evolution of Zhejiang New Poetic Groups since 1990s--Poetry Groups like“The Tropic of Cancer”,“The Wild”“The Poetic Youth”as a Case in Point

“北回归线”“野外”“诗青年”等三个诗群象征性地勾勒出1990年代以来浙江新诗潮的审美嬗变。“北回归线”诗群崛起于1980年代第三代诗群式微和转型期,所秉承的“先锋精神”更具建设性意义:主张重建文化认同与人类精神,倡导“新理想主义”诗学,倡导富有综合性的“有难度写作”,为抒情诗拓展新的领域与境界,主张中西方诗学视野的融通。”“野外”诗群诞生于2002年,在喧嚣浮躁的网络语境里,野外诗群凸显出严肃的诗歌态度:反对诗学的“无政府主义”,积极构建并引领健康的诗歌生态,强调节制的写作态度和诗歌技巧。诗青年团队创建于自媒体激荡的2015年,为浙江新诗潮带来了新的活力、新的形态。浙江新诗潮近30年的审美嬗变,也辐射到全国诗歌界,甚至推进了诗歌史的进程。

Poetic groups like“The Tropic of Cancer”,“The Wild”,and“The Poetic Youth”symbolically outline the aesthetic evolution trends of Zhejiang’s new poetry since the 1990s.“The Tropic of Cancer”rose in the 1980s with the Third Generation Poetry’s decline and transformation.Their vanguard spirits advocate cultural identity and human spirit reconstruction,new idealism poetics,comprehensive“composition with difficulty”,and so on.They try to explore new areas and realms for lyric poems,and propose an integration of Chinese and Western poetic horizons.Born in 2002,“The Wild”displays a serious poetic attitude in the noisy and impetuous network context.Opposing“the poetic anarchism”,they actively construct and lead a healthy poetic ecology,with an emphasis on restrained poetic composition attitudes and skills.Founded in 2015 with a surging We Media,“The Poetic Youth”brings about vitality and forms to the new poetic tide in Zhejiang.The aesthetic evolution of Zhejiang new poetry in recent 30 years has also radiated to the Chinese poetry circle and even promoted the poetic history process.