期刊文献+

逸人·逸笔·逸气——论倪瓒诗画创作风格的互通

Uninhibited Life,Unrestrained Brush and Pen,and Unfettered Mind:Ni Zan’s Poetry and Painting
下载PDF
导出
摘要 倪瓒身处元末,散尽家财,隐迹山水,交游甚广,以写诗、作画以自娱。倪瓒之画,不求形似,简笔率略而成,自得天真逸趣,形成简远空疏之境。倪瓒之诗,不事雕琢,遇事感兴,得乎性情之正,有冲淡萧散之风。作为画家兼诗人,倪瓒打破了画与诗两种不同艺术形式之间的壁垒,实现了其诗画艺术风格的互通。 Ni Zan was a painter and poet in the late Yuan Dynasty.He did not care about wealth,but loved to travel mountains and rivers,make friends,and live an uninhibited life.He always felt free to write simple and natural poems to express his thoughts and temperament with an unrestrained pen,which broke the barrier between painting and poetry and realized the intercommunication of his artistic style of the two artistic forms.
作者 戴欢欢 任声楠 DAI Huanhuan;REN Shengnan(School of Arts, Hefei Normal University, Hefei 230601, China;School of Chinese Language and Literature, Jiangsu Normal University, Xuzhou 221116,China)
出处 《安徽农业大学学报(社会科学版)》 2021年第2期114-118,共5页 Journal of Anhui Agricultural University:SOC.SCI.
基金 合肥师范学院科研启动基金项目“元代少数民族书画家诗歌研究”(2020rcjj38)。
关键词 倪瓒 逸人 逸笔 逸气 Ni Zan uninhibited life unrestrained brush and pen unfettered mind
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部