越南小说《金云翘录》《桃花梦记》的创作模式及与明清小说传统的呼应

The Writing Patterns in Vietnamese Novels Jin Yun Qiao Lu and Tao Hua Meng Ji and Their Response to the Novels in the Ming and Qing Dynasties

越南古代汉文传奇小说《金云翘录》《桃花梦记》,是“王翠翘故事”越南流传、创作过程中的重要一环。《金云翘录》在小说文体上向“唐传奇体”回归;《桃花梦记》则开创了“王翠翘故事”的二世姻缘续写模式,并在题材处理上尝试了世情与神怪题材的糅合。两书的创作模式与中国明清小说传统有呼应之势。《桃花梦记》的评语所体现出的文学批评理念也呼应着明清戏曲、小说批评理念。因而,应重视两部作品在越南汉文小说发展史、中越小说交流史中的地位。

Jin Yun Qiao Lu and Tao Hua Meng Ji,which were written in Chinese,as the ancient legendary novel of Vietnam,are an important part in the process of spreading and creating The Story of Wang Cuiqiao in Vietnam.Jin Yun Qiao Lu returns to“Style of Tang Legendary Novels”in the novel style,while Tao Hua Meng Ji creates the continuation pattern of the next life's marriage of“Wang Cuiqiao’s story”and tries to blend the social life with gods and spirits in the theme.The writing patterns of the two books respond to the tradition of novels in Ming and Qing Dynasties.The literary criticism idea is reflected in the comments of Tao Hua Meng Ji also respond to the criticism idea of drama and novel in Ming and Qing Dynasties.Therefore,we should pay attention to the position of the two books in the history of the development of Chinese novels in Vietnam and the history of the exchange of novels between China and Vietnam.