摘要
儒家诗论强调诗是人情感的抒发,其反映并影响着社会。宋人在继承这一理论中,走出了一条直抒己见、对社会人生纵横议论、既继承唐人又不同于唐人的创作道路。在此理论下形成的宋诗,被明代复古诗论以“宋无诗”予以否定。然而宋诗及宋人的诗歌理论却一直影响着明人对诗歌的探索,对宋诗的接受主要表现在认清继承中的墨守与创新、法其法与法其所以为法、抒情与议论等的关系上。
Confucian poetics emphasizes the fact that poetry is the expression of human feelings,which reflects the society and simultaneously produces an influence on it.It is in the process of inheriting this theory that people in the Song Dynasty have come out with a creative road which not only inherits the Tang Dynasty but also differs from the Tang Dynasty.The Song poetry composed under this theory is denied by the Ming Dynasty's retro poetry theory with the words"no poetry in the Song Dynasty".However,Song poetry and Song people's poetry theory have always affected Ming people's exploration of poetry,And their acceptance of Song poetry is mainly reflected in the understanding of the relationship between adherence and innovation in inheritance,between law and law,law and reason and between lyricism and argument.
作者
陈颖聪
CHEN Ying-cong(College of Professional and Continuing Education, Hong Kong Polytechnic University, Hong Kong 999077, China)
出处
《湖北职业技术学院学报》
2021年第1期61-67,共7页
Journal of Hubei Polytechnic Institute
关键词
儒家诗教
宋诗话
用格
用于格
继承
创新
Confucian school of poetry
poetry notes of the Song Dynasty
use of metrical pattern
imitation of metrical pattern of predecessor
inheritance
innovation