贝多芬奏鸣曲《暴风雨》第一乐章的演奏分析

Analysis and performance of Beethoven’s sonata“Tempest”

在西方音乐学术研究中,有人把贝多芬的32首钢琴奏鸣曲比作《新约圣经》,对这32首奏鸣曲的地位和价值给予高度评价。贝多芬鸣奏曲《暴风雨》不仅在艺术表现上表达出了独特的非凡技能和深远的思想内涵,在贝多芬的创作生涯中也具有重大的转折意义,成为贝多芬在音乐中表达自我思想的最突出例证之一。该曲第一乐章为d小调4/4拍,奏鸣曲式。鉴于这部作用所具有的重要意义,本文通过对《暴风雨》的创作背景进行阐述,在此基础上对作品第一乐章进行内容形式和音乐主题分析,再对第一乐章的演奏要点进行探讨,旨在通过更好的演奏技巧来充分表达作品的艺术性,为音乐学习者在演奏这部作品时提供可供参考的思考和建议。

In the academic study of western music,some of the Well Tempered Clavier collection by Bach as the“Old Testament”,Beethoven's 32 Piano Sonatas as“New Testament”,spoke highly of the 32 Sonatas for piano art history,status and value.Beethoven sonata“storm”in the artistic performance not only expresses the unique extraordinary skills and profound ideological content,also has a significant turning point in Beethoven's career,become one of the most prominent examples of self expression thought of Beethoven in music.In the performance of the sonata,only to achieve the combination of technology and music,in order to achieve the content and form of harmony,the real interpretation of the soul of art.Based on the“storm”creative background and relevant research results are described,based on the form and content of the theme music and the ideological connotation of works appreciation,then chapter carries on the discussion to the playing point of work,to understand the composer's intention to fully express the artistic works through better performance skills.For music learners to provide thoughts and suggestions for reference to play this work.