故事短片人物扁形化的构成及其设置

A Brief Account on the Composition and Setting of the Flat⁃shaped Characters in Short Feature Films

故事短片结构类似于微型小说和诗歌的混合体,故事短片的内容决定了短片的时间与空间形态,在此,单纯的故事人物和简明的意义指向,就在时间与空间层面进行最大限度的压缩与扩张。故事短片的场景和事件与常规故事片比较,更加强调人物本身对故事短片形态的建构,可以说,人物即故事。故事短片的人物具有单一指向的扁形化、标签式和概念化角色的构成及其设置。一方面是趋向单一指向的人物角色的认知,即人物的扁形化设置;另一方面是基于视知觉原则的简化与观看,人物设置的相似性、统一性和独特性原理。短片人物形态的扁形化趋向,是由作为观看物质的艺术与视知觉简化规律决定的,因此,也决定了短片人物形态趋向扁形化、标签式和概念化的基本设定及其知觉特征。

The structure of a short feature film is quite similar to the mixture of mini-fiction and poetry.The con⁃tent of the short feature film determines the time and spatial form of the short film,in which the simple story characters and concise meaning get the maximum compression and expansion at the time and space level.Com⁃pared with the regular feature films,the scenes and events of the short feature films emphasize more on the con⁃struction of the characters’own form of the short story,i.e.the characters are the stories.The characters of the short feature films have the composition and setting of one-direction flat,labeled and conceptualized characters.On one hand,it is the cognition of the characters that tends to become a single point,which is the flat-shaped setting of the characters.On the other hand,it is based on the simplification and viewing of the principle of visu⁃al perception,the similarity,unity and uniqueness of the character settings.The flat-shaped tendency of short film character form is determined by the simplified law of art and visual perception which is called watching mate⁃rial.So it also determines the basic setting and perceptual characteristics of short film character form that tends to be flat-shaped,label-type and conceptualized.