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傅中望的楔子:从有形到无形

Fu Zhongwang’s Wedge:From the Form to the Formless
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摘要 “楔子:傅中望”展览中,艺术家傅中望借“楔子”表达人与社会的关系。从艺术家到管理者,傅中望的身份不断转变,但依旧保持“楔子”精神,作为中国当代艺术的重要参与者,傅中望以自我的艺术实践在当代艺术的发展进程中留下了深深的艺术史足迹。傅中望的艺术经历和20世纪中国社会的政治经济文化的变革有着密切的关联。正是激变的社会现实迫使着傅中望对当代社会和艺术人生作出了激情思考和洞察性表达。 Fu Zhongwang has expressed the relation between individual and society by means of“wedge”in the exhibition“Wedge:Fu Zhongwang”.From artist to administrator,Fu Zhongwang has always kept“wedge”spirit,although his position has changed.As an important participant of Chinese contemporary art,Fu Zhongwang has left his footprint in art history with his art practice.Fu Zhongwang’s art practice is closely connected with the political,economic and social reformation of Chinese society in 20thcentury.It was the ever-changing social reality that forced Fu Zhongwang to make passionate thoughts and insightful expressions about contemporary society and artistic life.
作者 傅中望 郭奕然 Fu Zhongwang;Guo Yiran
机构地区 不详
出处 《当代美术家》 2021年第1期34-37,共4页 Contemporary Artists
关键词 当代艺术 艺术实践 “榫卯结构”系列 楔子 contemporary art art practice mortise and tenon joint structure wedge

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