论正字运动对颜真卿书法用字的影响

Discussion on the Influence of the Specification of“Zhengzi(正字)”on the Font Selection in Yan Zhenqing’s Calligraphy Practice

唐代正字运动蓬勃开展,颜真卿深度参与了正字运动,并手书《干禄字书》。同时,正字运动也对他的书法实践产生了重大影响。研究发现,以《干禄字书》为时间节点,颜真卿此前的创作中通、俗二体用字较多,而在其后的书法实践中正字选用大幅增多。可见,正字规范对其晚年创作产生了深刻影响。

As a famous minister of the Tang Dynasty and great calligrapher,Yan Zhenqing had a tremendous social influence at that time,and the“Zhengzi(正字)”movement was also flourishing in the Tang Dynasty.He was deeply involved in the“Zhengzi(正字)”movement,and he used his own calligraphy style to handwrite GanluZishu(《干禄字书》).Meanwhile,the“Zhengzi(正字)”movement also formed constraints and guidance on his calligraphy practice.For a long time,the relevant researches in academia have focused on the specialized study of the Tang Dynasty's“Zhengzi(正字)”movement and the Works of“ZiYangXue(字样学)”.There are also many studies on Yan Zhenqing's calligraphy.However,there are few studies that combine specific individuals with“Zhengzi(正字)”movements.In this case,through a variety of research methods,this thesis conducted a joint investigation on Yan Zhenqing's calligraphy and the“Zhengzi(正字)”movement.The research of the thesis shows that if we take Yan Zhenqing handwriting GanluZishu(《干禄字书》)as a time node,it can be found that the selection rate of the“Zhengzi(正字)”in his late calligraphy creation practice is much higher than that in his early calligraphy creation,which can show the influence of the specification of“Zhengzi(正字)”on Yan Zhenqing's late calligraphy creation.