摘要
《巴蜀之画》是我国作曲家黄虎威创作于1958年的一部优秀的钢琴组曲,取材于汉藏两族的六首民族民歌,作者以极具视觉表现力的标题对原有民歌加以改编,并在乐曲的旋律、音韵等方面表现出鲜明的民族特色。文章分别对六首小曲加以音乐技法和创作情感的分析,探究《巴蜀之画》中蕴含的民族音韵乡情、民族音乐特色以及民族性的表达方式,以期对《巴蜀之画》的民族性演奏风格提出可行性建议。
The Painting of Bashu is an excellent piano suite composed by Chinese composer Huang Huwei in 1958.It is based on six national folk songs of Han and Tibet.The author adapted the titles of the original folk songs with highly visual expressive titles,and showed strong national characteristics in melody and phonology of the music.This paper analyzes the musical techniques and creative emotion of the six ditty respectively,and probes into the national phonology,national music features and the expression of the national character contained in the Painting of Bashu.In order to put forward the feasible suggestion of national performance style of the Painting of Bashu.
作者
张盈盈
ZHANG Ying-ying(School of Music,Jimei University,Xiamen 361021,China)
出处
《通化师范学院学报》
2021年第5期105-109,共5页
Journal of Tonghua Normal University
基金
福建省教育厅教育科学改革实践项目课题“闽台高校音乐教育专业钢琴课程教学比较研究”(JAS150328)
福建省本科高校教育教学改革研究项目“思政元素融入高等师范专业钢琴教学改革与研究”(FBJG20200115)。
关键词
钢琴组曲
《巴蜀之画》
民族性
艺术特色
Suite for Piano
Painting of Bashu
national character
artistic features
