封建礼教岩缝中绽开的个性解放之花——杜丽娘的人物形象分析

The Flower of Individual Liberation Blooming in the Cracks of Feudal Etiquette--An Analysis of Du Liniang

《牡丹亭》中的杜丽娘是一个为追求个性解放、爱情自由、婚姻自主的“生者可以死,死者可以生”的典型。她虽然深受封建礼教的压迫,但内心对“自然”与“真情”却有着热切向往与追求,并付诸了勇敢的行动。追求自由的行动受阻时,她毫不犹豫地与强大的封建势力进行了坚决的抗争。她因《闺塾》而觉醒,因《惊梦》而萌动,因《写真》而坚定,因《冥判》而奋起,终因《圆驾》而圆满。从生到死,从死到生,整个过程不仅体现了杜丽娘个性的觉醒及反抗的勇气,还展现了其过人的斗争智慧。

Du Liniang in“The Peony Pavilion”was a typical woman who pursued the liberation of personality,freedom of love and independence of marriage.The living can die and the dead can live.Although she was deeply oppressed by feudal ethics,she yearned for and pursued“nature”and“true love”in her heart,and took brave actions.When her pursuit of freedom was blocked,she did not hesitate to fight against the powerful feudal forces.She was awakened in“Boudoir School”,aroused in“The Dream”,determined in“The Portrait”,rose up in“The Judgment”,and finally completed in“Yuanjia”.From life to death,from death to life,the whole process not only reflects Du Liniang s personality awakening and courage of resistance,but also shows her extraordinary wisdom of struggle.