从“古画技法”到“戏曲身段”:中国电影民族化表演的文化理据与创作路径——以《不成问题的问题》表演风格为例

From“Ancient Painting Techniques”to“Opera Postures”:Cultural Proofs and Creative Path of Nationalized Performance in Chinese Films with a Case of the Performing Style of Mr.No Problem

在国产电影类型化、商业化、工业化的高速发展浪潮中,创作者对民族美学风格的观照,尤其是对民族化电影表演风格的追求日益减少。而《不成问题的问题》恰是行驶在中国电影高速发展轨道上的一列“慢车”,不断呼应电影历史长河中“诗意”“空气”“意境”“写意”等美学路标,片中人物表演更是建构了民族化表演风格的视觉图谱,从银幕形象、动作节奏、情感信念等方面做出了有益探索,让“演员”“表演”“风格”再次回到公众议题。所以,演员如何塑造人物形象、表演风格与元素如何内外统一、银幕形象与大众想象如何关联,是值得探讨的问题。

While a wave of rapid development arises in domestic films with genre classification,commercialization and industrialization,there is a decrease in the creators’attention to national aesthetic style,especially the pursuit of the nationalized performance style in films.Mr.No Problem is just a“local train”driving on the high-speed development track of Chinese films,which constantly echoes the aesthetic signposts of“poetic style”“taste”“artistic conception”and“freehand brushwork”in the long history of Chinese film.The performance of characters is also a visual map of the nationalized performance style with a useful exploration of screen image,action rhythm and emotions&beliefs to make“actor”“performance”and“style”again back into public discussion.It is therefore worth discussing how actors shape characters,how they unify the performance style and elements,and how they associate screen images with the public imagination.