日常生活、艺术跨界与主体互换

Daily Life,Art Crossover&Subject Exchange

21世纪初,文学、美术、电影集中关注日常生活,形成了繁多的艺术跨界现象。莫言、贾平凹、刘震云、刘小东、陈丹青、贾樟柯、侯孝贤及其他艺术家类型多样的跨界互动,凸显出新世纪开始彰显的审美共通性与日常化。借由日常生活的桥梁作用,文学、美术、电影实现了艺术创造主体的经验交叉与审美能动。在具有跨界能力的文学、美术、电影创作中,艺术的创造主体与接受主体通过主体互换,激发了带有公共性的审美共通感,从而得以在世界范围内产生较大影响。由此应强调艺术跨界,以此强化中国文学艺术面向世界发展的审美能动性。

During the turn of the new century,literature,fine art and film all pay close attention to daily life and thus form a variety of transboundary phenomenon of art.The diverse crossover interactions of Mo Yan,Jia Pingwa,Liu Zhenyun,Liu Xiaodong,Chen Danqing,Jia Zhangke,Hou Xiaoxian and other artists highlight the commonality and everydayness of people’s aesthetic senses that have begun to manifest from the beginning of the new century.With daily life as a bridge,literature,fine arts,and movies have realized the experiences crossover and aesthetic initiative of the subject of artistic creation.In the creation of literature,fine art,and film with crossover capabilities,the subject of artistic creation and the reception subject are exchanged,which inspires an aesthetic sensus communis with public characteristics,and can have a greater impact on the whole world.So it’s necessary to emphasize the crossover of art,so as to strengthen the aesthetic initiative of Chinese literature and art to develop towards the world.