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20世纪80年代后黄梅戏音乐的创作特色探析

Research of the Creative Characteristics of Huangmei Opera Music after the 1980s
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摘要 20世纪80年代后的黄梅戏音乐秉承了程式性基础上的原创性。在黄梅戏音乐创作中,继承了传统黄梅戏各曲牌、板腔的音乐形态特征。黄梅戏的伴奏运用现代音乐元素,在继承传统的基础上,音乐表现手段得到了极大的丰富。演唱形式多样化,剧中的主要角色一般都有多次的独立唱段,演唱语言以安庆方言为主,唱腔明快朴实,节奏细腻抒情,润腔流畅,展现了黄梅戏独特的唱腔特征和演唱风格。 The music of Huangmei opera after the 1980s adheres to the originality based on the programmatic nature.In the composition of Huangmei opera music,it inherits the musical form characteristics of each traditional Huangmei opera qupai and banqiang.The accompaniment of Huangmei opera uses modern musical elements,and the means of musical expression has been greatly enriched on the basis of inherited tradition.The singing form is diversified.The main characters in the play usually have several independent singing parts in Anqing dialect.The singing is bright and simple,the rhythm is delicate and lyrical,and the rhythm is smooth,showing the unique singing characteristics and singing style of Huangmei opera.
作者 高艳 GAO Yan(School of Music, Anqing Normal University, Anqing 246133, Anhui, China)
出处 《安徽工业大学学报(社会科学版)》 2021年第1期40-42,共3页 Journal of Anhui University of Technology:Social Sciences
基金 安徽高校人文社科研究重点项目:20世纪80年代后黄梅戏音乐研究(SK2017A0337)。
关键词 黄梅戏音乐 创作特色 音乐形态 Huangmei opera music creative characteristics musical form
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