摘要
20世纪50—70年代,我国台湾地区建筑界在中国近代民族主义建筑思潮和西方战后多元现代建筑思潮影响下,发展了现代模仿传统建筑的设计方法,并进行了一系列实践探索。这一复杂历史背景下的设计方法探索,延续了中国近代建筑发展中"中国传统"与"西方现代"的二元要素特征,发展了民国时期"新民族形式",与密斯晚期风格、典雅主义、粗野主义、日本新传统主义等现代建筑设计流派产生紧密联系,是台湾现代建筑纳入中国近现代建筑发展框架的重要途径与表征。
From the 1950s to 1970s,under the influence of Chinese modern nationalist architectural thoughts and Western post-war pluralistic modern architectural thoughts,the architectural circles in Taiwan Region developed the design method of modern imitation of traditional architecture and carried out a series of practical explorations.The exploration of the design method under this complex historical background continued the dualistic characteristics of“Chinese tradition”and“Western modernity”in the development of modern Chinese architecture,developed the“new national form”modern Chinese architectural design method in the Republic of China,and had a close relationship with modern architectural design schools such as Mies’late style,elegance,coarseness and Japanese new traditionalism.It was an important way and representation for Taiwan modern architecture to be incorporated into the development framework of modern Chinese architecture.
作者
黄庄巍
邹广天
胡梦婷
HUANG Zhuangwei;ZOU Guangtian;HU Mengting
出处
《新建筑》
2021年第2期98-103,共6页
New Architecture
基金
福建省自然科学基金面上项目(2020J01278)。
关键词
中国近现代建筑历史
中国台湾现代建筑
现代模仿传统建筑设计方法
西方现代建筑设计思潮
modern Chinese architecture
modern architecture in Taiwan Region
design method of traditional architecture imitation
Western modern architectural design method