色朵坚寺拉章殿钦则派壁画遗存及其历史文化内涵

The Remains of Painted Murals and Historical Investigation of Palace of gSer-mDog-Can Temple

文章在详细记录色朵坚寺拉章殿早期壁画遗存的基础上,对以班禅释迦曲丹为主的道果传承祖师像和罗汉等图像内容进行辨析,并对题记做摘抄和初步研究。按照艺术特征划分为:细而流畅、曲折繁多的中原汉式绘画线条;眼宽和双眉细长的写实绘画风格;红白相间的僧式披套(■)等。提出该寺早期壁画充分体现了16世纪钦则派的风格特征,对西藏传统绘画流派钦则派一脉相承的艺术风格史有着重要意义,同时对壁画的年代和寺院历史演变做了简要考证和介绍。

There are several remains of murals in the palace of gSer-mDog-Can Temple.There is no research paper have been published on this so far.Therefore,the author has repeatedly visited the gSer-mDog-Can Temple to investigate the current situation of the remains of the murals.It is believed that the remaining murals highlight the painting style of the mKhyen-rTse School in the16th century.Through the features of the painting,such as the shape of the painting and the image of the characters,the style of wearing cloak of Pan-Chen-Shakya-mChog-lDan and his teachers,and students.At the end,this paper briefly states the significance of the discovery of these murals to the history of Tibetan art and the evolution of the temple in history.