康雍乾画珐琅的装饰工艺之思

houghts on Decorative craft of painted enamel in Kangxi,Yongzheng and Qianlong Period of Qing Dynasty

清宫画珐琅作为中外文化交流融合中出现的产物,在我国工艺美术中有举足轻重的地位,工艺水平足以代表清代彩瓷烧造能力。画珐琅实现国产化不是一蹴而就的,本文探讨了清康雍乾三朝画珐琅装饰技艺中的突出特点,以此梳理其独具特色的工艺特征,充分理解画珐琅装饰纹样背后的工艺因素。

As a product of the cultural exchange and integration between China and foreign countries, the painted enamel of Qing Dynasty plays a pivotal role in the Chinese arts and crafts. It is enough to represent the firing ability of the Qing Dynasty painted porcelain. It is not easy to realize the localization of painted enamel in one stroke. This paper discusses the prominent features of enamel decoration techniques in Kangxi,Yongzheng and Qianlong period of Qing Dynasty, in order to comb this unique technological features and understand the craft factors behind the decorative patterns of painted enamel.