陶瓷花鸟画与中国画之比较研究

A comparative study of ceramic flower and bird painting and Chinese painting

陶瓷绘画发展至今,在很大程度上是依赖于中国画的发展而发展的。在陶瓷花鸟画题材的范畴中,无论是釉上、釉中或釉下陶瓷花鸟画,都可以或多或少的看到两者在装饰效果或者表现手法上都是相互贯通的。只不过中国画的表现载体是宣纸或者绢布,而陶瓷绘画的载体则为瓷器。本文尝试研究中国画与陶瓷绘画之间的联系,通过对比分析出二者独特的艺术语言。

The development of ceramic painting, to a great extent, depends on the development of Chinese painting. In the category of ceramic flower and bird painting theme, whether it is overglaze, underglaze or underglaze ceramic flower and bird painting, we can more or less see that they are interconnected in decorative effect or expression. But the carrier of Chinese painting is rice paper or silk cloth, while the carrier of ceramic painting is porcelain. This paper attempts to study the relationship between Chinese painting and ceramic painting, through comparative analysis of their unique artistic language.