浅析董其昌绘画在陶瓷中的应用

A brief analysis of the application of Dong Qichang’s painting in ceramics

中国在历史的版图上占据了非常主要的地位,有着丰富的文化内涵和历史底蕴。在其灿烂的文化长河里,中国画最具有代表性的,也有其独一无二的艺术价值。同样,与中国画系出同源的陶瓷也有发散着自身独有的魅力。无论是哪种艺术作品的诞生,都间接或直接的赋予了艺术家的情感,赋予了作品更多的血与肉,使其更加鲜活生动。董其昌的中国画和陶瓷绘画虽有着不同的艺术发展轨迹和呈现方式,却又有相互融合的地方,两者在互相借鉴的同时又融合发展。这体现在艺术家在创作的初期,对艺术观念的理解、物质的感受、个人风格的表现,都以最特别的方式体现在陶瓷类作品中。

China occupies a very important position in the historical domain, with rich cultural connotation and historical deposits. In its splendid culture, Chinese painting is the most representative, but also has its unique artistic value. Similarly, the ceramics with the same origin of Chinese painting also have their own unique charm. No matter what kind of art work is born, it indirectly or directly endows the artist with emotion, endows the work with more blood and flesh, and makes it more vivid and vivid. Although Dong Qichang’s Chinese painting and ceramic painting have different artistic development paths and presentation ways, they have mutual integration. They both learn from each other and at the same time integrate and develop. This is reflected in the artist’s understanding of artistic concepts, material feelings and personal style in the early stage of creation, which are all reflected in the ceramic works in the most special way.